THE UNBROKEN LINE
for lee bartlett
[i]
in the desert sky
stars and stars and stars
I imagine how we might
go on forever
a black mass, fluttering
the crippling trees bowed
toward the bending house
a spring snow is merely to be expected
prejudice is merely the body’s algorithm
a way to see and sort
often the pattern is flawed
you could almost miss it
the silence amongst the reeds
a curtain shut against cadences
the train draws its pattern through the country
how people and birds
struggle and thrive
here
finally, the trees unfold
they are their own lyric, their own gentle unfolding
how could I be bored here
through the swamp an endless journey
large birds settle in the sludge
egrets, swans, ducks, cormorants
their language is a
a language written through light
something that floats and disperses in radiation
all living things need a cover
how about the tent of my fluffy pink sweater
how about the ocean
man is so fond of water
a lyric to save the sea
a garden of rocks, silence
I will do anything to escape this canvassing for boats
how do I feel?
and now?
and now?
now?
how will I make it through this world?
the body, the voice, the delirious movement, a wayward narrative
arranged according to the laws of chance
I wanted to come back for the census
I wanted to count
how to pull the arc of my dying
across the page
how to tell the city (birds) to be quiet
and the sky and
this sky
and buildings (building)
all around thrusting
the nest of the city upward
the world (seemingly) holds enough
for all of us
this is the way I see it
she wanted to escape
even if this meant leaving the good
even if her language and loves were a collateral damage
it was so crucial to find a second life
to forget the body’s sorrow
[ii]
looking through california poem
for words to steal
o eleni o eleni
that’s it
do you remember when we met
how we swam through air
we are mothers now
the language of the secondary
the expanse of my body
my crippled self
how I wish I might be the ocean
all that summer we made paper
beneath the ghost library
the light filtering in the
basement window splaying
on the children’s abandoned artwork
making and making with abandon
our hands knee deep in
[iii]
says
winds may exist
by this logic
they may also not exist
as we move through this desert
wearing the groove of
our conversation/our love
into the road
we may exist or not exist
this existing is irrelevant
or not
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